I’m a filmmaker, actor, writer, and musician who’s always been drawn to stories. Not just the ones that entertain, but the ones that make people feel something real.

I started writing short stories in elementary school, turning my classmates into characters and reading them aloud in class. By the time I was 14, I had submitted my first script (The Boy with the Magic Pen) to Nickelodeon and soon after produced my first short film (The Hidden Truth), which went on to win multiple awards for Best Script, Cinematography, Special Effects, and Performances. My second film, (Late Night Pick-up) won an outstanding achievement award, and was nominated for best director and best micro film.

Since then, I’ve continued to explore storytelling through film—especially work that wrestles with identity, history, and what it means to evolve. My latest short, The Death of a Nation, is an experimental piece that explores generational reckoning and transformation across centuries. It’s the kind of film I’ve always wanted to make—raw, abstract, and centered in meaning.

My goal has always been to create stories that enhance the human condition—films that linger after the credits roll. I’m building a body of work that asks real questions and isn’t afraid of the uncomfortable answers.